The Invisible Photographer

~ A look at the widely varied world of light-created imagery.

Tag Archives: “photography”

Whom to Please?

07 Saturday Jan 2017

Posted by castl23 in "photography", Photographers, Sphere of Influence, Uncategorized

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"photography", photo sharing sites, photographer, social media

Ralph Steiner lived from 1899 – 1986. Reference information about him here:  https://en.wikipedia.org/wiki/Ralph_Steiner. One of his films can be seen here:  https://www.youtube.com/watch?v=zO_Aw02Fkj8. It’s quite beautiful, twelve minutes, and worth a look.

My main concern with Ralph Steiner today is a quote by him:  “Eventually I discovered for myself the utterly simple prescription for creativity; be intensely yourself. Don’t try to be outstanding; don’t try to be a success; don’t try to do pictures for others to look at-just please yourself.” (Italics mine)

Before the advent of the Internet (yes, you two-thumbing generation, there WAS a time when we couldn’t stay connected) the two main ways of getting mass attention for your photography was firstly to have a book published. Secondly, you might get into a gallery. Most likely if you did the one the other would follow. Of course, few people made it to this level, even people who did wonderful work and produced beautiful and intriguing images. It helped to be born with the wealth of your parents backing you with its influence to get you connected to those in positions to place your work in those venues of admiration. Fortune’s favorites.

But then along came the ability to post images on the WWW. Popular social sites came into being for posting your visual gems for the world to see and for many people this has become the raison d’ etre of all their photographic endeavors:  To garner as many “likes” or “faves” as possible and that ultimate of all honorifics, to have one’s lens-child baptized in that River. (Let the reader understand. I once had a picture there, a fly-like insect feeding atop a gaillardia flower in New Mexico. I thought it was fairly nondescript, but it got over 20,000 views.)

A Spanish author whose name is buried in the forgetfulness of over 40 years since I read him in college once wrote an essay about how worthless the opinion of the masses really is. You who post to whatever place and agonize over how popular it is or over how many comments you get; you who grow green with envy when you look at those pictures of other more popular, apparently, contributors whose work is nowhere near as good as yours; those who research the best time of day on which day of the week to post to get attention; to you, I say, I’ve been there. I’ve also left those places having realized the utterly sick obsession involved. I have my website where people can go a view my work for free, and here. My only other social site involvement is where I play chess online.

So in keeping with the idea of the basic ignorance of the masses, don’t let the lack of praise bother you. Look at Ralph Steiner’s words again up above, “…just please yourself.” Back in the day we took pictures of events and places we visited on trips, people we loved. We kept the photos in albums and enjoyed pulling those repositories out from storage on occasions and enjoyed our pictures. We didn’t worry about or value what anybody else thought. I’ve found myself doing these things to enjoy what I create:  1. I frame and hang on the walls. 2. I put actual prints I make in albums or acid free storage boxes or in large books of blank drawing paper in between the pages and kept under the bed for whenever. 3. I make slide shows in Lightroom to look at with musical accompaniment. 4. I post to my website where they get viewed, and even purchased one time by a guy down in Georgetown, Texas. I watch slide shows of them there also, which I hope my visitors also do. 5. Maybe most importantly to me, in today’s world of easy self-publishing, I make books of my pictures with words I write accompanying. I do this on Blurb out of Lightroom and of course nothing sells; the second book I didn’t even list for sale to the public. I just get a copy to have around for me to enjoy looking through and also will give copies as gifts. 6. Lastly, I’ve gone to three art shows recently, two nearby and one way out in Alpine, Texas, the famous Alpine Artwalk. This way I get personal interaction with people who actually do buy my work. In Alpine a fellow walked into my booth area, went and looked at a framed photo of three crosses in the old Terlingua cemetery, came over to where I was sitting and asked, “Did you take all of these photographs?” I answered in the affirmative and gave him my card with link to my website on it. He got out his phone and I guess entered the link to verify these we my pictures(?) I was beginning to wonder if I had photographed the grave of a long lost ancestor and he was cooking up a way to get a lawsuit. He returned to me and said, “I WANT that picture.” I agreed to cater to his wish with the proper exchange of media with presidents pictures on them for the photo. Another buyer of a framed photograph of bare trees in fog just below Mount Emory down in Big Bend National Park (100 mile to the south) was a young woman who had on several occasions served my my meals in the lodge restaurant there. I was quite flattered she wanted to hang the picture on her wall in the park.

I know my last point involves pleasing others, and I’ll openly admit to my hypocrisy in light of the thesis of this post. However, to excuse myself, at least I was in the physical presence of the people whom I was seeking to impress. There seems to me to be a difference between that with real people and physical objects instead of faceless strangers and assorted arrangements of data into ethereal illusions of photographs.

Do find ways to make your own self happy with your photographs. You took them because you responded emotionally to something. Relive those emotions yourself through them.

 

A Slow Approach

23 Thursday Jun 2016

Posted by castl23 in "photography", Film Cameras, film photography, Travel, Uncategorized

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"photography", 4 x 5 film photography, analog, black and white film photography, black and white photography, film photography, large format, large format photography, sinar camera, view camera

Our Shed from PS Merge-Edit.jpg

One day in late winter Christy and I were taking a drive to Washington on the Brazos to try to see the remains of the old Baylor campus.

We passed this old shed and came back to consider taking a film photo with the Sinar F 4 x 5″ camera we brought along just in case any subject seemed to justify the ordeal of using it. It is a real pleasure, actually, to have to force yourself to work in an orderly, methodical, careful manner with this camera.

Digital scenario:  Step out of car (maybe), take off lens cap, turn on camera, compose, shoot, check LCD and maybe histogram, post process.

View camera scenario: Definitely get out of car. Determine where to place tripod. Assemble camera onto tripod piece by piece. Open shutter on lens. Go under focusing cloth and compose your photograph. Make any necessary adjustments (rise, fall, shift, tilt) you might want to control the image. Use the loupe on the ground glass to get fine focus. Close the shutter on the lens. Attach your green filter to lighten the foliage and darken the sky. Use your 1 degree light meter to measure the shadow area where you want some detail. Use the number you get reading this area. Make your exposure to be 3 stops below this to place your shadow where you want it. However, open up a couple of stops to compensate for the light lost due to the use of your green filter. Move one ring on the lens to set your aperture. Move the other to set the shutter speed. Cock the shutter. Attach cable release. Place film holder in back of camera under ground glass. Remove the dark slide. Make your exposure. Replace the dark slide. Remove film holder. Disassemble the camera and repack. Develop film at home in trays. Seriously, just as I got back into playing vinyl records for the tactile, direct, analog experience, but won’t toss out my iPod,  so I will continue to work with film as long as it is around. Given the resurgent interest among, especially, young people rebelling against digital, it may be around for a while. Check out youtube on the subject. Still, there are just some things digital cameras and editing software can achieve that cannot be done with film. Even Ansel Adams anticipated the day that digital would come along. Also search yt for an interview with him on that topic. So, I’ll keep using my digital with great joy, but will also appreciate the approach that film forces upon me.

More Adventures in Platinum/Palladium

04 Wednesday May 2016

Posted by castl23 in "photography", Alternative Photographic Processes, Digital Photography, Portraits and People, Uncategorized

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"photography", alternative photographic process, black and white, platinum/palladium printing, platiumn/palladium

Just some more work in this arcane medium:

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Existing digital file from which I made an inkjet negative using Photoshop and Pictorico film. First effort very contrasty. I finally lucked into a version showing some highlight textures on the cheek.

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Houston in Fog. Same as photo above. Shadow detail is there in print when you see it in “person.”

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Onion and Garlic. I set up this still life during my pt/pl printing session out of frustration, in a way. I wanted to prove to myself that there is a way to defeat the empty highlight areas. My idea was, of course, to lessen the strength of light on the subject that caused these areas to appear. I shielded the onion from getting the direct window light and added a little fill on the shadow side using a scrap piece of white paper. I did get the feel of this old process I was wanting, the soft contrast. The blacks, however, are richer when you view the print itself. Shot with a Nikon D800 at 50 ISO using an old manual focus 55 f2.8 micro Nikkor lens at f11. Negative for printing, of course, produced on the Epson R3000 using Pictorico. Notice my pencil lines on the corners to mark off where I was supposed to apply the light sensitive platinum/palladium emulsion with the push rod.

 

 

 

People Photographs Continued

27 Wednesday Apr 2016

Posted by castl23 in "photography", Digital Photography, Film Cameras, film photography, Portraits and People, Uncategorized

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"photography", black and white, black and white photography, candids, film photography, people, people photography, portraits, portraiture

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Young man in Silver City, New Mexico.

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Card player in Gila, New Mexico, whom I found sitting outside a farmers’ market. He was proud of the Minolta film camera and lenses he still owned. I can identify with that, at least with Canon and Nikon film cameras!

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A good friend of mine many years ago. I’m not sure who the person is that was with him. The camera was a Contax RTS II with  a Carl Zeiss 50mm f1.4 lens.

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Performer at an event in Denton, Texas.

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Photographer in Denton, Texas.

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Revelers in Denton, Texas.

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I enjoy shooting bearded subjects.

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Young lady from Bulgaria I met at a park and later met her there for a portrait session. Canon 5D Mark III.

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Aoife O’Donovan, folk singer, performing in Silver City, New Mexico’s Pickamania.

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Mrs. Roy, librarian at one of the schools where I taught, Wonderful person! Hasselblad 500CM by window lighting with fill.

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A senior portrait moment, using Nikon D700.

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Candid in Hatch, New Mexico, at the Chili Fest.

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Canon AE-1 program candid near downtown Dallas.

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Canon AE-1 in downtown Dallas.

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Canon AE-1 in downtown Dallas. She was helping coordinate a Walk for the Cure event.

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A group of young journalists I found along the route of the 2015 Tour of the Gila Bicycle Race Criterium in Silver City, New Mexico.

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Pinhole candid. Camera was Canon 5D Mark III with the body cap being converted into the lens.

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Ron, in downtown Silver City, New Mexico. He designed motorcycles.

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Biker in Silver City.

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Another beard, Silver City. 5D Mark III.

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In Silver City also.

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Cyclist at Cow Creek Classic Ride starting in Waxahachie, Texas. Canon 5D Mark III and Canon 100 – 400 zoom.

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Self portrait of a much younger me. Shot, probably, with 4 x 5 using Polaroid back, judging from the goo on the edges resulting from the coating process. Never was much good at that.

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Candid shot of a biker in Silver City, New Mexico.

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Candid portrait, Silver City, New Mexico. Canon 5D Mark III.

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Semi candid beard portrait in Silver City.

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In Silver City.

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Three more senior moments in Silver City.

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I liked how the mouth had to speak for the rest of her. Silver City.

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Young man in the outback of Silver City.

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Silver City. I wish I could recall all the names.

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Cowboy in Silver City.

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More Silver City. A good place for this!

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This young man was in town to attend a convention of hippies in a nearby national forest. I’d have liked to have gone there to shoot, but couldn’t get any idea of where it actually was! In some parts of New Mexico, it really is a step back in time.

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In town for same convention!

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Lorenzo, street musician.

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Street musician in Silver City also.

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One day I was attempting to sell photos by the street in Silver City. These two young ladies happened by.

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This gentleman was a classical scholar in earlier days.

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I saw this young Irish woman across the street with her guitar case. She was traveling all over the US and was leaving to return to Ireland in a few days. Canon 5D Mark III.

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Local merchant of antiques.

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Young man outside the Javalina Coffee Shop.

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I was put in mind of Wild Bill! Silver City, Canon 5D Mark III.

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Jim, a cowboy in New Mexico from Nebraska.

 

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Gentleman in Boquillas, Mexico.

 

 

 

 

 

People over the Years

27 Wednesday Apr 2016

Posted by castl23 in "photography", Digital Photography, Film Cameras, film photography, Portraits and People, Uncategorized

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"photography", black and white, black and white film, black and white photography, candid portraits, film photography, people photography, portraits, portraiture, studio portraits

I took up the thought this morning:  “What if I tried to put together in one place a collection of people I’ve snapped over many years?” I thought about what I had seen in an old external drive I was perusing yesterday. So, I’ll try to do something here.

In spite of my somewhat retiring nature, I have managed to ask some strangers if I might take their pictures. Here I will also include some people close to me as well. They may be people from the long past, but they were at least close to me.

Some are street candids, some are street informal where subject is aware of the photo being taken, some are “studio,” some are taken at events and many different film formats as well as digital are used.

I think that although I consider myself more of a nature/landscape photographer, the human landscape it much more varied and interesting. There are limitless possibilities of expression in a single visage.

Young Woman in Studio_4726324804_o.jpg

Young woman at school where I taught, an assistant. Shot with Pentax 6×7 and studio lighting.

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Another teacher at same school. Taken with window backlighting and some shadow side bounce light with Hasselblad.

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Young man I saw in New Mexico.

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There’s a used bookstore in downtown Denton, Texas, called Recycled. This is one of the owners. Shot with Canon AE-1 Program.

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His name was Arleigh. Hasselblad 500 CM was the camera.

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Tom, a geography prof. Shot with a 4 x 5 camera using Polaroid’s type 55 Positive/Negative film.

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One of my students by window light using Hasselblad.

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Beatriz, overcast day, 35mm film camera.

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Twins. Shot with Hasselblad.

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I met this couple at a park as they were training for a hike along the Appalachian Trail, going into the part that traverses the Maritime Provinces. I hope they made it OK.

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Self portrait, playing with a soft box. Nikon D700.

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I hope you can sense she was a flaming redhead. Digital, Canon 5D Mark III, at an event in Denton, Texas.

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Polly, a city councilperson in Silver City, New Mexico. She owns the  Javalina Coffee Shop there, quite a unique place!

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Mrs. Grimes, my second grade teacher. Shot with a Pentax 6 x 7.Mary Grimes_9647672887_o.jpg

Mrs. Grimes shot with a 4 x 5 camera.

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Lorenzo and Breeze in Silver City, New Mexico.Lorenzo and Breeze_15418429930_o.jpgBreeze_HC_o.jpg_48A1119.jpg

I thought it might be worth more than one capture of them. Canon 5D Mark III.

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Young man I found at Dallas Whiterock Lake with his guitar, composing a song. Canon AE-1 Program.

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Jimmy Porter, mentioned in earlier post about platinum/palladium print of this image. Nikon FE on Kodak Technical Pan film, 25 ISO (ASA in those days).

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Young man sitting outside of a cafe in Denton, Texas. Canon 5D Mark III.

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Young woman in Silver City, New Mexico. She goes to China to “rescue” traditional clothing and bring it back. Canon 5D Mark III.

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Russ owns an equestrian supply store in San Lorenzo, New Mexico.

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Rudy lives in San Lorenzo.

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This is a psychologist in Silver City. I saw her in an art store and followed along to ask if I might take this photo. Of course she wondered, “Now, why…..?”

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Frank, in Silver City. He is a Vietnam War veteran. Canon 5D Mark III.

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Same couple shot with Canon 5D Mark III through a lens designed for smaller sensor.

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In Silver City.

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In Fort Worth Stockyards.Dr Chapel.jpg

Former elementary school principal in Dallas.

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I met this young woman as she man….womanned a booth at an event in Denton, Texas. When I suggested she might consider modeling she told me she already IS a model!

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I met this nice group near downtown Dallas one summer day. Canon AE-1 Program.

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My college roommate. Taken in Big Bend with a Wisner Convertible Classic 8 x 10 view camera.

Apparently I’ve reached my photo limit on this post. To be continued on next…and maybe next!

 

 

 

 

 

Galveston, Oh, Galveston

19 Tuesday Apr 2016

Posted by castl23 in "photography", Digital Photography, Film Cameras, Travel, Uncategorized

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"photography", black and white, brazos bend state park, Digital Photography, film photography, galveston texas

Some shots taken with iPhone and Fuji 645 camera on 120 film.

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These were with iPhone. We found back alleys more interesting than the fronts of the buildings, mostly shops, of course.

Facade

Front of a church in Galveston.

Field of Grass and Tree

This was actually not in Galveston. It was at Brazos Bend State Park a week earlier. Just didn’t have roll of film developed yet at that posting, so I’ll just put it here if it’s OK.

Tree and Moss 2

Spanish moss on tree, also at Brazos Bend SP. I’ll beseech your indulgence for posting it here due to same reason as stated above. I look forward to actually printing these on silver paper or maybe even give it a shot on platinum/palladium.

Platinum/Palladium Printing

19 Tuesday Apr 2016

Posted by castl23 in "photography", Alternative Photographic Processes, Uncategorized

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"photography", alternative photographic process, black and white, platinum/palladium printing, platiumn/palladium

I finally got into this process after months of scavenging the equipment and materials from various places. The first UV exposure box was faulty, so I had to get a new one. I kept learning about a new chemical or safety step I’d need to take.

These prints would have to be seen “in person” to be truly appreciated, of course. They are done on a hand-coated heavy art paper, and take about an hour each, not including the production of the negative. It’s necessary to expose in a contact printing frame after the paper has been coated and has dried. It’s nice, though, because the light-sensitive material mostly reacts with UV light, so a low intensity incandescent bulb is OK for lighting up your work area, especially helpful during the paper coating process.

You must mix your own emulsion to coat the paper, using varying quantities of different chemicals, and varying the amounts of each to get different results. I say platinum/palladium, but most of what I used was the somewhat less expensive palladium compound, since platinum compound runs about $10 per ounce. I put about a third platinum and the balance palladium.

Coating the paper can be done with a brush or with a peddle pusher. I used the glass rod to push the light-sensitive material across the paper:

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Please imagine there’s a small amount of orange-colored liquid along the edge of the rod. The trick is to get the paper evenly coated.

Then, after you have allowed the emulsion to dry on the paper, take it and place it together with the negative in a contact printing frame. Your print will be the size of your negative, so you make it accordingly. This negative was made from a digital file in PS and Lightroom, and then printed on a special transparency material in my Epson printer.

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Next, you place this ensemble into a UV light box manufactured in Austin. It’s something you must use with respect, since it uses several fluorescent light bulbs to give off a tanning booth strength light. You can also do this in sunlight outdoors if the weather and climate cooperate. The exposure time can vary quite a lot, but 5 to 10 minutes has been usual for me so far.

Here is a demonstration of placing the contact frame, paper, and negative into the UV box:

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You close that lid tightly, and flip a switch on the side to get the exposure rolling. You can actually TURN OF THE LIGHT SWITCH, open one side of the contact frame to keep the negative in exactly the same place, and view the image on the paper as it’s beginning to emerge. You’re supposed to develop when you see a “whisper of and image.” I’ve yet to determine what exactly makes the best whisper. This is really an art.

After exposure, you remove the paper in low incandescent light, and put it into a very dry and very clean tray used only for pt/pl developing. You take the developer and quickly, evenly dump it onto the paper and agitate. As mentioned above, you will actually see the image faintly on the paper even before wet development begins. The image pops up almost instantly in the developer and then the print is ready to be cleared in three 5 minute EDTA baths. Finally, give a 30 minute wash in running water follows. Evaluate and hang up to dry. Some darkening will occur as a result of the dry down effect.

Here are some early pieces:

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You can see where my emulsion was coated on the borders; messy, but it DOES look handmade!

This is not for the faint-hearted, but is a great rollback even past film and the usual silver halide black and white process. These are among the most archival prints made and will last as long as the paper they’re printed on.

 

 

 

Fill’ Em

06 Wednesday Apr 2016

Posted by castl23 in "photography", Film Cameras, film photography, nature, Uncategorized

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"photography", black and white, black and white film, film, film camera, film photography, hasselblad, medium format photography

I’m posting twice today to make up for all the past and future days I won’t be bored enough to do this. Speaking of bored, some poor soul was ennui-afflicted enough yesterday to do 45 views of this blog. My heart goes out to you.

Yes, it’s a gloomy day here in Astro City by gulf, so this is my cure for the doldrums. Today I will dip my beak into the fill’ em well again. I shot some fill’ em in a Hasselblad 501 CM this past week, out in east Texas. It’s a fun experience to do what I haven’t done in so long.

The chance being pretty good you don’t know what a Hasselblad is, here’s a picture of an old HB 500 CM which I also own:

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Here it is in Houston. Speaking of Houston, a motorized version, the 500 ELM was taken on lunar missions. Not a version of Houston, but of this camera. It was used to take that famous photo of the earth rising on the moon’s horizon. They just left the Hassies there. Too heavy for lift off from the lunar surface.

This used to be a prohibitively expensive camera for the average person. I worked a night job to pay for mine back in the ’80’s. Now they’re fairly low priced on that auction site.

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Here are some of my negatives on the light table with a large blueberry next to one of them for scale. I should have put a 35mm negative there too for side by side comparison, but I didn’t think of it at the time. If you smushed the blueberry it might be comparable. These negatives were processed by my little ol’ self and they measure 6 x 6 centimeters or 2 and a 1/4 inches square as we say in Mission Control. They enlarge quite nicely. Look very closely under the words KODAK 100TMX and see the distinctive Hasselblad signature upside-down V’s. They identify these pictures as having been taken by a Hasselblad. I think they may stand for Victor since Victor Hasselblad was the camera’s developer.

The blueberry did not survive this session, I’m unhappy to report.

Now I will show you how to load film into a Hasselblad A12 fill’ em magazine:

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This is your unopened roll of 120 format fill’ em, also called “roll fill’ em. IMG_4612

When it comes out of its pouch the band you see already removed entirely is wrapped around the roll like a jaundiced python. You must tear the band (I use a fingernail) and peel it away from the roll…..ENTIRELY!

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You remove the fill’ em assembly from the magazine.

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Here it is ready to receive the new fill’ em. I will take the old roll’s spool off from the left side in the photo and place into the take up spool’s position on the right side and close the latch on it. Note the knurled winding mechanism. That’s how the fill’ em will be advanced to the take up spool the required amount before loading fill’ em into the magazine and making it light fast.

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I have begun to move the fill’ em over to the take up spool. It must pass under the aluminum clip to help keep it flat and in place.

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Here fill’ em paper leader is about to be inserted into take spool slot.

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Fill’ em is being advanced until you see…….

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The black arrow on the paper line up with the read arrow (or V, whatever you fancy) on the feeder spool latch.

IMG_4619Fill’ em is now placed into the magazine so it can be safely advanced up to frame 1.

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This is the little handle that does the fill’ em cranking. Note 0 showing in the window.

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Pardon my blur, but I don’t want to reshoot. 1 is now appearing and you’re ready to take those great photos.

And now for a few of the photos taken recently:

Three Trees and Shed 2

Hayrolls 1

Dogwood and Forest 4

These were in east Texas. Last is of some dogwood in a pine forest near Palestine.

The camera has no built in meter. I used a Pentax 1 degree spot meter and based exposures on the shadow areas.

I hope you will explore the possibilities of medium format fill’ em photography!

 

 

 

 

Film Flam

18 Friday Mar 2016

Posted by castl23 in "photography", Film Cameras, film photography, Travel

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"photography", film, film photography, Travel

Hello, me. It’s been a while since I wrote to you. This past weekend I spent in Chicago. I made the mistake of renting an SUV to drive through its parked car clogged streets. Believe me, those mirrors were pulled in!

In any case, I took along only my lowly Nikon F2A film camera and the lowly 5omm f1.4 lens with Ilford Delta 400 ISO hiding inside it. I used to use this camera many Venus’s ago it the days when I was young and alive. Now it’s a pleasant throwback to those halcyon days of yoredom.

Speaking of yoredom, I’ll go ahead and write to myself. I AM yored at the moment, so that’s the only reason I’m here.

Whilst in Chicago I was privileged to look at some photos of some really good photographers, such as Alfred Stieglitz. He had some really dark stuff posted on the museum’s refrigerator door, I mean, as in what we in the days of absolute standards of good and evil would call egregiously underexposed prints. However, they MUST be good, because they’re in a smancy-fancy museum in a smancy-fancy city like Chicago.

This darkness in the platinum/palladium prints, in the carbon prints, in the tintypes, in the gum bichromates, inspired me to produce some really bad images myself from my negatives. So, I shot the film, got it hand-checked by the friendly agents that work for whatever those three letters are, and put it in some D76 back home. My efforts at imitating the masters:

DSC_5511-Edit-Edit.jpgDSC_5529-Edit-Edit.jpgDSC_5524-Edit-Edit.jpg

Pretty bad, huh? But if I had the right connections, I’d be really famous, wouldn’t I? But I’m just me, and it doesn’t matter because no one sees these anyway, right, me? Yeah, right.

Now for my more normal stuff, such as I would see without all the big time PS’ing:

 

DSC_5516-Edit.jpgDSC_5526-Edit.jpgDSC_5525-Edit.jpgDSC_5498-Edit.jpgDSC_5499-Edit.jpgDSC_5501-Edit.jpgDSC_5504-Edit.jpg

 

That’s all, folks.

 

Santa Elena Canyon in HDR

16 Tuesday Feb 2016

Posted by castl23 in "photography", Digital Photography, nature, Travel, Uncategorized

≈ 2 Comments

Tags

"photography", big bend, big bend national park, canyon, chihuahuan desert, desert, hdr, HDR photography, nature, rio grande, river, santa elena canyon, west texas

When shooting under extreme lighting conditions of light to dark tones, even our smart phone cameras know about the need for High Dynamic Range techniques (HDR). I decided on this hike into Santa Elena Canyon in Big Bend National Park to actually carry along a tripod and my Canon 5D Mark III. I used the Sigma 24mm f1.4 “Art” lens.

I was planning to bracket roughly 5-7  exposures for each photo, usually -3 stops through +3. Then I would use Photomatix Pro software to take the best rendition of values out of all those exposes and melt them into one that would ideally have the best of highlights and the best of shadows with everything else in between.

I would like to think that a single exposure would not have captured the range of detail seen here.

_Canyon  not HDR.jpg

Not HDR, as camera with single exposure and post processing render the scene. It’s OK…ish.

Canoeing in SA Canyon.jpg

Here’s the HDR. It has that “look” that many people find objectionable, sort of the comic book feel. Still there’s a feeling of seeing more detail and greater richness and vibrance.

_End of Trail not HDR.jpg

Not HDR.

_Santa Elena Canyon.jpg

Yes, HDR.

_Boulder not HDR.jpg

Not HDR.

_48A3212_3_4_5_6_7_fused.jpg

Yes, HDR.

Here in last shot I’m posting you can see how every nook and cranny gets opened up for a CLEARER view in HDR. I’m sure that with more post HDR conversion processing the images could have that less that Marvelous look to them (for you younger readers that’s as in Marvel Comic Books. Sorry.)

You be the judge and let me know!

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