The Invisible Photographer

~ A look at the widely varied world of light-created imagery.

Tag Archives: large format photography

A Still Life

12 Wednesday Oct 2016

Posted by castl23 in "photography", Alternative Photographic Processes, Digital Photography, Film Cameras, film photography, Uncategorized

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Digital Photography, film, film camera, film photography, hasselblad digital, large format photography, still life

a0020466-hdr-edit

I recently got an old CF 120mm macro lens to use on my new Hasselblad H3D-39 vintage camera. I set the fruit up on burlap and did some HDR. I’ve printed on Epson Hot Press Natural paper.

While I had this set up, I got the 8 x 10 camera and made a black and white negative for a platinum/palladium. It came out OK, even though I made the negative what we used to call “bullet proof” by intentionally overdeveloping by 50%. I put a diffuser on the back of the view camera lens for a nostalgic effect, as though the platinum/palladium isn’t nostalgic enough.

fruit-pt-and-pl

A Slow Approach

23 Thursday Jun 2016

Posted by castl23 in "photography", Film Cameras, film photography, Travel, Uncategorized

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"photography", 4 x 5 film photography, analog, black and white film photography, black and white photography, film photography, large format, large format photography, sinar camera, view camera

Our Shed from PS Merge-Edit.jpg

One day in late winter Christy and I were taking a drive to Washington on the Brazos to try to see the remains of the old Baylor campus.

We passed this old shed and came back to consider taking a film photo with the Sinar F 4 x 5″ camera we brought along just in case any subject seemed to justify the ordeal of using it. It is a real pleasure, actually, to have to force yourself to work in an orderly, methodical, careful manner with this camera.

Digital scenario:  Step out of car (maybe), take off lens cap, turn on camera, compose, shoot, check LCD and maybe histogram, post process.

View camera scenario: Definitely get out of car. Determine where to place tripod. Assemble camera onto tripod piece by piece. Open shutter on lens. Go under focusing cloth and compose your photograph. Make any necessary adjustments (rise, fall, shift, tilt) you might want to control the image. Use the loupe on the ground glass to get fine focus. Close the shutter on the lens. Attach your green filter to lighten the foliage and darken the sky. Use your 1 degree light meter to measure the shadow area where you want some detail. Use the number you get reading this area. Make your exposure to be 3 stops below this to place your shadow where you want it. However, open up a couple of stops to compensate for the light lost due to the use of your green filter. Move one ring on the lens to set your aperture. Move the other to set the shutter speed. Cock the shutter. Attach cable release. Place film holder in back of camera under ground glass. Remove the dark slide. Make your exposure. Replace the dark slide. Remove film holder. Disassemble the camera and repack. Develop film at home in trays. Seriously, just as I got back into playing vinyl records for the tactile, direct, analog experience, but won’t toss out my iPod,  so I will continue to work with film as long as it is around. Given the resurgent interest among, especially, young people rebelling against digital, it may be around for a while. Check out youtube on the subject. Still, there are just some things digital cameras and editing software can achieve that cannot be done with film. Even Ansel Adams anticipated the day that digital would come along. Also search yt for an interview with him on that topic. So, I’ll keep using my digital with great joy, but will also appreciate the approach that film forces upon me.

Late Evening in the Chihuahuan Desert

10 Wednesday Feb 2016

Posted by castl23 in "photography", Film Cameras, film photography, nature, Travel, Uncategorized

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big bend, big bend national park, chihuahuan desert, desert, film photography, large format, large format photography, nature, ocotillo plant, texas

Ocotillo in Evening.jpg

It pays to arrive at your location early when using a view camera. I didn’t. We did manage to set the tripod and assemble the camera in time to get an image, though. Quiet and cool.

I used the spot meter to read the brightest area on the mountain and let the shadows fall pretty dark. Sometimes we must make those decisions.

Car in Study Butte

10 Wednesday Feb 2016

Posted by castl23 in "photography", Film Cameras, film photography, Travel, Uncategorized

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automobile, car, film photography, large format photography, old automobile, old car

Car-Edit-Edit.jpg

Taken on 4×5 transparency film.

 

Crossing the Bar Again into Large Format

09 Tuesday Feb 2016

Posted by castl23 in "photography", Film Cameras, film photography, Travel, Uncategorized

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"photography", 4x5 camera photography, black and white, black and white film, cemetery, film, film camera, film photography, graveyard, large format photography, terlingua texas, view camera photography, west texas, wooden crosses

We were in Terlingua, Texas, just outside Big Bend National Park. This is where a big chili cook off happens once per year. I’m not sure exactly when it is. My father went once and slept under the bus. Anyway, I was looking for an excuse to waste a sheet of Fomapan 100 4×5 sheet film, so here was something Ansel Adamsish enough to make me happy. It was my first shot with a large format camera in a couple of years or more, so after setting up the camera, which meant assembling it on the tripod, composing, focusing, guessing which part of the image I would place on Zone III, reading the settings off the spot meter, setting them on the lens, cocking the lens and closing the shutter, placing the holder under the ground glass, removing the slide, firing the shot, replacing the slide and then the holder, driving home 600 miles, processing in trays, copying with the D800, editing, here is what I got:

 

Crosses-Edit.jpg

I tried to give it a tint that I would aim for if I were to make a palladium print of the image. I think the warm tone suits the subject. I have 4 more negatives to look at. However, I just may make myself wait to make the silver prints in the darkroom to see them!

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