A Chip off of This Old Block?

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My son is a PhD student in film studies at the University of Chicago. He’s been in that city for quite a while now and has found many chances to capture some great images on his smartphones, mostly. He sees patterns in quite ordinary scenes and makes the viewer aware of them forcibly. There are dramatic pictures of the lake and other places in the city and on the university campus.

I’ll say that my own contribution was minimal. As a child he saw me with a camera probably more often than he would have liked to, especially as it was often trained on him. In reality, I find myself learning from him how to see photographically. My theory is that in his area of particular research into the development of spatial expression in video gaming he has developed an acute sense of what it is to see strongly, to narrow down the confusing array of visual input that surrounds him in that complex city into powerfully succinct statements of what he sees and feels.

The website he has just inaugurated is here:

http://www.chriscarloyphotography.com

I hope you will visit. There are many places there worth a pause or two.

Go Away, Kid, You Bother Me!

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I was out yesterday with my little Nikon D7100…I call it little because attached to it was the Sigma 150 – 600 lens. It’s a relative perception. This lens could register on seismographs out in Alpine if it were dropped. Anyway, I was sitting on the grass in the park waiting for the red tail hawk you see here to fly back over to a tree that was on public property. In the photo he’s currently perched atop a tree in someone’s front yard. While I was waiting, I noticed this mockingbird, whose territory the rapine creature was apparently encroached upon, attempt to show enough bluster to make his visit a shorter one. Not that the mocker is a bad host, but the feisty feathered flyer was fresh out of rabbits in the fridge and didn’t want to disappoint his guest. I took several shots totally depending on a chance depression of the shutter button at the right instant to get something…good…goodish? I chose this particular version of the situation to try to impress people “out there” whom I’ve never met and whom I’ll never meet, such as one lady who liked my pond sunset yesterday and whose western photos make me look like my granny with her Box Brownie that she just dropped into her gruel…anyway, I chose this one (speaking of rabbits) because the red tail had his or her head turned back enough to see the profile. The bird did soon return to my legal territory and I’ll post a shot of it below. Thanks for looking and for thinking this was a good bit of luck.

 

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On a Still Pond

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I took my new Hasselblad H5D 50 megapixel camera out expecting a possible nice sunset with no wind, a rarity in Texas, for a reflection on the still water. This is a shot I took earlier while I was waiting for what I THOUGHT would be a better, blazingly colorful sky a few minutes later; that didn’t materialize as the day ended with a dull, gray thud photographically speaking. As I arrived about an hour before sunset, I watched the progress of the young man who was fishing from the left side of the frame here to the position you see him in currently. I’m glad he was there then. As this was an HDR photo with three exposures, I’m surprised I got him so well in a non-blurred way. As I was waiting I was approached by some local neighborhood people. One lady asked if I was waiting for the sunset. Upon my reassuring her that I was, she and her husband and dog wished me well in getting a nice one. Another lady came out of her house across the street and observed that I had been standing out there for a while. Looking at the intimidating Hasselblad with equally awe-inspiring lens mounted she asked if I were from the newspaper or from the television news. I assured her that I was only an ordinary citizen taking a pretty picture. She departed, seemingly with peace of mind.

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Monarchs

Yes, the monarch butterflies are making their way down to Mexico through north Texas. This is by far not the most numbers I’ve ever seen do this. There was a time in my childhood when they came through in thick columns, passing not too far overhead. Yet it’s great to see them again! They like a bush with white flowers we can’t seem to identify using an Internet search. Imagine that.

The camera was a Nikon D7100 with a Sigma 150 – 600 lens. Between trying to hold the lens still, the wind blowing the bush, and the butterflies constantly on the move, it took a LOT of tries to get a few acceptable shots. Here are a few:

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Thanks for having a look!

A Still Life

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I recently got an old CF 120mm macro lens to use on my new Hasselblad H3D-39 vintage camera. I set the fruit up on burlap and did some HDR. I’ve printed on Epson Hot Press Natural paper.

While I had this set up, I got the 8 x 10 camera and made a black and white negative for a platinum/palladium. It came out OK, even though I made the negative what we used to call “bullet proof” by intentionally overdeveloping by 50%. I put a diffuser on the back of the view camera lens for a nostalgic effect, as though the platinum/palladium isn’t nostalgic enough.

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Common Egret

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It’s an exciting day today because I’ve gone out and taken a picture I’ve postponed for a while. We notice an egret sitting in a tree in a park during our cycling outings and I’ve often thought about returning there on foot with my little Nikon D7100 and huge Sigma 150 – 600 to see what is possible. The fellow here can be a little skittish, so I stay low and slowly, in stages, scoot my way towards him, allowing time for getting accustomed to my presence and to the presence of the threatening-looking Sigma (OK, BIGMA!)

I took 58 clicks of the button and narrowed that to these, using content aware fill in PS CS6 to eliminate some stray twigs obtruding into the area near the bird and providing unneeded distraction.

It was nice to get out again with a camera!

 

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A Slow Approach

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One day in late winter Christy and I were taking a drive to Washington on the Brazos to try to see the remains of the old Baylor campus.

We passed this old shed and came back to consider taking a film photo with the Sinar F 4 x 5″ camera we brought along just in case any subject seemed to justify the ordeal of using it. It is a real pleasure, actually, to have to force yourself to work in an orderly, methodical, careful manner with this camera.

Digital scenario:  Step out of car (maybe), take off lens cap, turn on camera, compose, shoot, check LCD and maybe histogram, post process.

View camera scenario: Definitely get out of car. Determine where to place tripod. Assemble camera onto tripod piece by piece. Open shutter on lens. Go under focusing cloth and compose your photograph. Make any necessary adjustments (rise, fall, shift, tilt) you might want to control the image. Use the loupe on the ground glass to get fine focus. Close the shutter on the lens. Attach your green filter to lighten the foliage and darken the sky. Use your 1 degree light meter to measure the shadow area where you want some detail. Use the number you get reading this area. Make your exposure to be 3 stops below this to place your shadow where you want it. However, open up a couple of stops to compensate for the light lost due to the use of your green filter. Move one ring on the lens to set your aperture. Move the other to set the shutter speed. Cock the shutter. Attach cable release. Place film holder in back of camera under ground glass. Remove the dark slide. Make your exposure. Replace the dark slide. Remove film holder. Disassemble the camera and repack. Develop film at home in trays. Seriously, just as I got back into playing vinyl records for the tactile, direct, analog experience, but won’t toss out my iPod,  so I will continue to work with film as long as it is around. Given the resurgent interest among, especially, young people rebelling against digital, it may be around for a while. Check out youtube on the subject. Still, there are just some things digital cameras and editing software can achieve that cannot be done with film. Even Ansel Adams anticipated the day that digital would come along. Also search yt for an interview with him on that topic. So, I’ll keep using my digital with great joy, but will also appreciate the approach that film forces upon me.